Property: TextEng
From Poetry Talks
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C
His composition method (kuppŏp) is marvelous and classical (kigo), and there is no trace of the habit of ornamental (kiryŏ) embellishment. How could dispirited writers of later generations hope to achieve this? +
Lofty and ancient (kogo), robust and simple (unghon), her poem rivals the poems from the early Tang dynasty. At that time, the literary culture of the East had not yet flourished. Besides Ŭlchi Mundŏk’s quatrain, I had heard nothing else. That she achieved this as a female sovereign is truly remarkable. +
In the poem, we can perceive the dire circumstances of that time and the unwavering spirit of an old man. +
O learned poetic styles of Han Yu 韓愈 (768–824) and Du Fu 杜甫 (712–770), but his poems are few in number. +
Isn’t it because even after savoring it for a while, the poem still had a lingering flavor (mi)? +
When writing his poetry, Sallip 山立, the Old Man of Moon Cottage, often borrowed words from the ancients and expanded upon them. +
Luo Bi’s 羅泌 (1131–1189) Lu shi 路史 (Grand History) records, “There was a person who never changed the fire in the furnace for five generations. The color of that fire was said to be as red as blood.” Yi used this story to refer to the long-burning lantern. +
All of these phrases are excellent (ka). It is regrettable that I cannot see the complete poems of these poets. +